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Excellent Women Paperback – May 1, 1988
- Print length272 pages
- LanguageEnglish
- PublisherPlume
- Publication dateMay 1, 1988
- Dimensions5.36 x 0.62 x 8 inches
- ISBN-100452267307
- ISBN-13978-0452267305
- Lexile measure940L
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Editorial Reviews
Amazon.com Review
Review
A startling reminder that solitude may be chosen and that a lively, full novel can be constructed entirely within the precincts of that regressive virtue, feminine patience. (John Updike, The New Yorker)
Reading Barbara Pym is . . . a wonderful experience, full of unduplicable perceptions, sensations, and soul-stirrings. (Newsweek)
Product details
- Publisher : Plume; Reissue edition (May 1, 1988)
- Language : English
- Paperback : 272 pages
- ISBN-10 : 0452267307
- ISBN-13 : 978-0452267305
- Lexile measure : 940L
- Item Weight : 8.2 ounces
- Dimensions : 5.36 x 0.62 x 8 inches
- Best Sellers Rank: #2,063,808 in Books (See Top 100 in Books)
- #15,315 in Humorous Fiction
- #42,473 in Classic Literature & Fiction
- #83,930 in Literary Fiction (Books)
- Customer Reviews:
About the author
Barbara Pym (1913–1980) was a bestselling and award-winning English novelist. Her first book, Some Tame Gazelle (1950), launched her career as a writer beloved for her social comedies of class and manners.
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Top reviews from the United States
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The novel is told through the eyes of Mildred Lathbury, one of literature's unforgettable, empathetic characters. She is 30ishs. The period is early post-Second World War England. Some of the worship services are depicted in a church that still has its bomb damage un-repaired. The other characters are less sympathetic, and include Rockingham and Helena Napier, and the pastor Julian Malory and his sister, Winfred. The Napier's have moved into a "flat" downstairs, and indicative of the housing shortage of the period, share the common bathroom with Mildred. "Rocky" is a de-mobbed naval officer, rather shallow, whose previous duties included rendering solace to WRENS (British female naval officers) in Italy. His wife Helena is an anthropologist, who doesn't do the housekeeping well. Helena's colleague, Everard is also an anthropologist, and via both one gains insight into the workings of their profession, as well as the associated "learned" societies. The arrival of Allegra Grey, recently widowed from a clergyman, with her eyes on Pastor Malory, adds additional drama to the novel. But the drama is never high; the issues are not all-encompassing and grandiose. As Ms Lathbury says: "I wondered that she should waste so much energy fighting over a little matter like wearing hats in chapel, but then I told myself that, after all, life was like that for most of us--the small unpleasantness rather than the great tragedies; the little useless longings rather than the great renunciations and dramatic love affairs of history or fiction."
Pym epitomizes classic understated British humor. She has that deft touch of selecting the precise detail that will resonate with the reader, and flesh out words that we use daily in graphic images. Clearly Mildred Lathbury is "self-effacing," and who could ever forget that after passages like: "I began taking off my apron and tidying my hair, apologizing as I did so, in what I felt was a stupid, fussy way, for my appearance. As if anyone would care how I looked or even notice me, I told myself scornfully." Or latter, when William has taken her to lunch, and he says, of the Nuits St. George wine: "`A tolerable wine, Mildred,' he said, `unpretentious, but I think you will like it.' `Unpretentious, just like me,' I said stupidly, touching the feather in my brown hat.'" Another complementary theme throughout the novel is how all the other characters routinely impose their problems upon Mildred. She realized it, but normally accepts them, and attempts to resolve them. At some level, I found the novel a wonderful antidote for any desire to live in a more integrated community. The anonymous life of the big city has much to be said for it.
Pym also weaves a certain level of erudition throughout the novel, which most likely reflected the actual level of the characters, before the days of television. For example, the Pastor quotes Keats to Mildred, all too fittingly:
I cannot see what flowers are at my feet
Nor what soft incense hangs upon the boughs.
Mildred thinks the last line would be a great title for a novel; I checked at Amazon, and yes, it is still `available.'
As for observations on the human condition, consider Mildred's comment: "Yes, men are sometimes taken in. They don't ever quite see the terrible depths that we do."
Does Mildred get "rescued" from spinsterhood, as every empathetic reader would hope? Yet another compelling reason to read this marvelous, "balanced and sensible", in a very British sort of way, 5-star plus novel.
To the one star review responses I would say that if you are not a Jane Austen fan why in the world would you even read this book? All the available criticism that I encountered prior to reading this book mentioned that connection which is one of the things that drew me to it. Yes it is true if you don't like Janey you will most likely hate this book as well so to criticize it for that reason seems way off the beam to me. It would be like me ( an ardent non-fan of Sci-Fi and Fantasy) to read Tolkein and then complain that the work is peopled with dwarves and walking trees!) If you already don't like the genre then why read any of it? Also I would venture to suggest that most critics who don't like this one have never had the experience of knowing a somewhat quirky yet thoroughly delightful British gal. They are truly in a class all by themselves and I, for one, just simply adore them. This was one of my favorite reading experiences and I can highly recommend it especially to fans of Jane Austen and anyone who likes all things English.
Top reviews from other countries
I can see why
This book is not hilarious... you won't be LOLing, but you might have a wry smile on your face when she describes her life and views, especially about men and annoying posh women.
It's all very English cup of tea Vicar? polite and light-hearted.
1950s middle England
No male character in this book comes out well from a woman's point of view; very condescending towards women but I'm a bloke and I didn't like them either. I have to say the characters are very true-to-life even now.
I do love her simple observations of life, presumably made in the 1950s when she wrote this book
Here are two examples:
"Virtue is an excellent thing and we should all strive after it, but it can sometimes be a little depressing."
And
"I pulled myself up and told myself to stop these ridiculous thoughts, wondering why it is that we can never stop trying to analyse the motives of people who have no personal interest in us, in the vain hope of finding that perhaps they may have just a little after all."
Very well put, Miss Pym